The Concert
peace & light
UBC University Singers & Choral Union
UBC Symphony Orchestra
Graeme Langager, conductor
December 3, 2011
The Chan Centre
I just got home from a UBC Music performance that featured the UBC University Singers, Choral Union, and UBC Symphony Orchestra, all under the direction of Graeme Langager. The concert at the Chan Centre was called peace & light and included Morten Lauridsen’s Lux Aeterna and Ralph Vaughn Williams’ Dona Nobis Pacem. It was an ambitious program that I thoroughly enjoyed.
This was the first time I’d heard the Lauridsen, althought I was familiar with the a cappella third movement, O nata lux de lumine, as the Cathedral Choir had sung it last week for the Advent Lessons and Carols service. The work as a whole has a gentle introspective quality to it and it was sung and played beautifully by the combined forces, with the University Singers singing the O nata lux on their own.
The Vaughn Williams is one of my favourite choral works. I’ve sung it a few times and always look forward to hearing it performed. Marrying as it does the Latin “Dona nobis pacem” (grant us peace) from the Agnus Dei of the mass setting with poetry by Walt Whitman and scriptural texts, the work is dramatically powerful. Langager and the choir of 200+ singers and 90-member orchestra were up for the challenge. I was particularly impressed with the clarity of the choir’s diction. Not an easy accomplishment with that many voices! Bravo!
I was very impressed by Langager’s conducting. Always expressive, muscular when necessary, and attentive to detail, he put me at ease as an audience member. Congratulations for scheduling an unusual program in this a season traditionally given over to yet another Christmas concert.
Reconciliation
Reconciliation, the third movement of the Vaughan Williams always moves me.
Word over all, beautiful as the sky!
Beautiful that war, and all its deeds of carnage, must in time be utterly lost;
That the hands of the sisters Death and Night, incessantly softly
wash again, and ever again, this soil’d world
- an easier “entrance point” to younger audiences
- a guide for audiences unfamiliar with concert practice
- aid to audience members who don’t know how to pick out words in a choral texture
- simplification of printed programs
- environmental savings

Great review Bruce. I enjoyed your perspective as a choir singer which expands the readers’ knowledge & in the future their appreciation of the genre further. Hope to read more reviews from your particular viewpoint.